Hearth Zine: Art, Earth Heart
CLICK HERE TO ORDER A COPY
Hearth is a zine created by Meredith Luce — an artist, designer, educator, and aspiring naturalist based in Kemptville, Ontario.
The focus of this tiny monthly publication is to share ecocentric art, craft, and poetry. The objectives of Hearth include inspiring creativity, encouraging feelings of joy and hope, skill sharing, and other good stuff. Essentially, things of art, earth, and heart!
This is a labour of love and generally distributed for free. If you would like to have next month's issue mailed to you or donate, CLICK HERE. Your order helps to support the production cost of this project.

Issue #2 | April 2025
Contents:
- HOW TO > Up-cycled denim sewing project
- Generational Threads: Projects that interweave the present with the past
Teaser content below.
Modernizing an
Embroidered Heirloom
by Andrea Lesia Emery
My great-grandmother and grandmother arrived in Canada
from Ukraine in the early 1900s. They were both prolific embroiderers and I fondly remember watching both of them hand embroider pillows, throws, doilies and blouses. I like to think that some of my creativity comes from them. [Read the full article by ordering a copy of this issue.]
HOW TO > Up-cycled denim sewing project
Step-by-step images to accompany the sewing pattern instructions can be downloaded here **COMING SOON**.

Issue #1 | March 2025
Contents:
- Printmaking and poetry by Meredith Luce
- HOW TO > Make your own collagraph print
- Fold out poster featuring full print of this issue’s cover art
Teaser content below. For the full issue, request a digital copy!
Poetry
February’s Triumph
Meredith Luce (2023)
February’s triumph:
Cerulean skies
Gauze laden branches
Chickadee’s cheerful cries
Rough skin of milkweed
Bare hands cupped tight
Made fair as in spring
By gold February light
HOW TO > Collagraph
Collagraphs are a fun way to repurpose scraps of paper, packaging, and found objects to create a unique piece of art. Select your materials considering that rough and absorbative surfaces will take more ink and print darker. Smooth or slippery surfaces (such as plastic) can have ink wiped away to create lighter or white areas in your design.
1. Collect your materials.
2. Arrange them on a sheet of cardboard or a washed, opened, and flattened milk carton. Glue them down in position.
3. Using a rubber brayer or small foam roller, apply acrylic paint or printing ink to your plate. You can use a scrap of fabric to wipe away any spots where you don’t want the ink to print to the paper (such as areas of the background).
4. Place a sheet of paper carefully over the plate. While holding the sheet in place with one hand, use the other hand to rub the back of the paper, working your way over the entire sheet.
5. Gently lift up your paper to see your finished print!
Tips > Taping the plate to your work surface will prevent it from sliding around when you are printing on the paper. Acrylic paint dries quickly, so print promptly if using paint for this. If it doesn’t work well, re-ink and try again!
Poster

Night Garden
Meredith Luce (2025)
Collagraph print, coloured pencil, marker, gel pen
(variable edition of 4)
The plate for this print was created using a recycled milk carton, repurposed string, and dried plant matter.